May 08, 2010

Those who keep trying everyday, who continue to fall and continue to get up, they are the ones worthy of admiration.

Those who find solace and joy in learning or discovering one new thing each day.

Those who try to ease the burdens of others less fortunate than they are.

Those who work through adversity by confronting it instead of taking the easy way out.

And who live their own good humor as fully as possible.

These are the kings, queens, and emperors of the everyday. More than a few are very close to me.

It is for them that I reserve the greatest respect and gratitude.

Though I know I don't say it enough.

Tomorrow you will be reminded again that with your quiet good sense, gentle warmth and respect for every living thing, humility, honesty, generosity, and humor you are worthy and you are worthwhile. And anyway you are loved more than you will ever know.

Posted by Melissa Price at 12:16 PM



May 07, 2010

Swim for it

The room was yellow, never a good sign. English ivy climbed the window sills. Plush cornflower blue armchairs sat one in a corner. A simple mahogany table supported a silver lamp and an oversized plastic clock that was transparent and revealed the works.

Simple table.

She was a secretary, a single mother, and this was nothing she remembered, not when her boss bent her over the desk, not later when the child came. Synaptic cauterization is very effective, the nurse said. I've had it myself. The nurse leaned in close, squeezed her hand. You'll see, she said. It feels kind of like Christmas.

Very effective. Like Christmas.

Posture, posture, preen and peck. Freud got kicked off the Ark, as it were, too amped up, as he was, for a cruise. They left him turning quick circles on the dock, trying for gyroscope, coming up up up, listing giddy instead. We talked once. He never met my eyes, never met, while his own eyes threw sparks fantastic and spectres fantastic and theories inedible and somewhere on that voyage he lost me. His sneezes stank of cinnamon, his face dusty with chalk. Three years ago he tried to grab my hand unanchored because I really really had to go. Razored digits raked my wrist and cut my skin like paper.

Cinnamon sneezes.

As a child it was slammed down slicked with fixative and interviewed through high-powered lenses. Familiar not alien, the lenses, them, and that was what burned. At night the machine was left running unattended. Downstairs cupboards were interrogated and picked clean. In no time at all they sat hunched over eggs and bacon and loaves birthed by fishes. It was all most delicious rattle rattle tap tap great slurpings and grunts. Coffee percolated and sent them shivering down hallways sniffing out domestic asymmetries and straightening chairs. Great gumdrops of raspberry jam mottled the floor under the kitchen table. Upstairs vigilance ensued.

Fishes delicious.

Like tissue paper, the kind no one could write on unless writ small, like tissue paper, the kind that offered itself up to wrap lightly, to rustle insubstantial barrier. Freud would not give up, first on the ship, later on the woman. Or maybe concurrently, who could tell? First he sent up signals from one of those cigars of his that smelled like asphalt and fennel like leather and whiskey like no shame smells. When that failed the ever industrious fellow strode to a nearby shop wherein he purchased a set of red semaphores are they ever any color? it doesn't matter. Stirred to mouthings of abandonment stirred to open endlessly that ugly raw orifice his office appeared to suffer only slight diminishment. Passersby recognized him. This was, as the ladies gossiped, where he was to be found every Sunday, after all, here stranded, unshaven, something of a dead-mouse smell about him, foaming from the mouth, weedy graying hair salt-sticky, licking his fingers, testing the wind and taking dictation from the burning sensation in his nasal cavity. Sometimes it made him spit. But today he was in top form, signalling the ship till it sailed out of view, stopping only occasionally to say hello to a taffy-stickied child, to a dog with one eye, to attractive young women who laughed, kicked up their heels, tried to steady their hands. Back again, then, to frantic flagging. What a work ethic that man had! At sun's downing, a small voice was heard to say: But sir, the ship is gone. What ship? Freud asked.

Stirred and foaming.

The handwriting was tiny, precise, almost in emulation of a font. Some paragraphs were transcribed in black, others in blue, with an occasional word in red. A series of three back-slashes appeared between what might be called sections.

\\\

Wow. She closed the bright purple journal, turned it over. The back of the book was a riot of stickers. Sailor Moon characters, manic octopi, sharp-edged black flowers traced in silver, iridescent rainbows, bedazzled ponies and moons done up in glittering pink, green, yellow and orange rhinestones. Everything was hatted, including the pony, including the moon. Obscenely cute round-headed girls in bright dresses were arranged as though in hushed coversation. Without those carefully drawn hats hovering over heads the tableau might have been charming. But the hats. The hats! Huge toppers, stovepipes pressed gloomily, emphatically onto the page in black Sharpie. On the front of the journal were two white computer keys secured with clear packing tape, one labeled "Delete/Break," the other "Home." Rising behind the Home key was a yellow smiley face. A lock of curly hair gently punctuated its forehead.

Whose diary was this?

She sipped lychee bubble tea that tasted like cold sweet alone with tapioca alone pearls she chewed and chewed. Across from her a tall alone German tourist sat alone with his hand alone draped lazily, calculatedly, nonchantly, with his arm, with his hand falling into the water of the new koi pond surrounded in white tiles. He was in a mall, traveling alone with a couple of alone friends and their daughter alone. His wife had just left and he didn't care about anything, certainly not a few fish. Swish-swish, he waved with grace gracefully he waved under the water, swish-swish. As his hand moved he stared pointedly at nothing, swish-swish.

The fish will get sick, she thought, trying not to care, as he didn't care. Impossible. Distraction then, deep breaths, refocusing. Paging through the paper she smiled at Japanese noise-band names. The little girl, blonde, dressed all in pink, ran around the pond bearing a strawberry ice cream cone like a torch. The man looked on, swish-swish. Those fish, she thought, will get sick. On another day she might have asked the man to please stop but she was tired of talking. Instead she slurped up the remainder of the purple liquid, stared at the globules resting in the bottom of the cup. If she had a band she would call it the Angry Koi. It would usher in a new genre, of course. Sea Punk maybe. The thought made her laugh, which gave the German man a start which caused his head to swivel in her direction and stare, hard.

She grinned back. Nothing so terrifying as a happy person sitting alone. Spinning the journal in slow circles she became increasingly aware of her negligence, how easily time escaped her. She stuck a leg out from under the table. Her dark green linen skirt extended to just below the knee. Inspection revealed several small bruises lining the shin, just there, there, and there, she pressed each deliberately, hard, there was no pain. Often she wound up with mysterious bruises. Maybe too much purple food intake. Maybe a symptom of some terrible disease. Or maybe nothing at all. She lifted her gaze. The German man was now sitting on the edge of the koi pond, flicking water with thumb and and second finger.

There had been a battery of tests. Sleep first. On the fourth floor of the hospital was the clinic's office, about the size of two walk-in closets. A technician said hello and directed her to large blue couch where she watched a brief instructional video. Then a woman with short blonde hair steered her over to a cold steel table, had her put her arm out, palm up. Next up, the cyborg arm. Black nylon secured with velcro on arm and palm, an index finger wriggled into a narrow blue tube with an electrode inside. Once the arm was off the woman said a few more things and told her to deliver the test to certain table by 11AM the following day. On the way out she passed a room lined with shelves lined with oversized shiny black mannequin heads. The heads were exaggeratedly female. Alll were fitted with oxygen masks and other contraptions in swim-cap blue plastic and rubber.

Out the door, into the wide beige hallway again. Three antique women progressed in her direction. They asked if she knew where the water fountain was. She said no, wait here, I'll check, and ran around investigating. By the time she'd returned the women had disappeared. Dessicated into little piles of dust at the margins of the pebbled taupe carpet. Cadavers harvested for organs in some dark doctor's lab. Witches pranking at feebleness. Gone to the cafeteria to eat cheese sandwiches.

Back to the present.

Back to the journal full of nonsense she had discovered this morning, sitting muddy beside a path in the park, not far from the bamboo, or cloud, forest. There was no one in sight to claim the thing. Sitting on a bench, she opened the book quickly, carelessly. No. Closed it again, carefully. Re-opened, carefully. Made the decision to save it for later, knowing she could. Arrogant. Preoccupations followed her like clowns emerging from miniature cars.

And you, sir, she thought, looking at the German man who, as it turned out, was not unattractive, why are you here? Who are these people you're with? And why were you surprised your wife left you? You are, after all, a poisoner by nature. A fish-killer. Careless for the sake of it. You should not even be allowed here. Self-inflator. Angry Koi, band name. Ha! Head down, staring at the newspaper, she could feel his greedy eyes on her. Sticky sweet rice and wasabi washed up into the tiny estuary of her mouth.

Posted by Melissa Price at 04:09 PM



May 05, 2010

DRAFT #1

We couldn't stop sneezing. It was early spring in San Francisco and our noses were blooming. We trudged across roller boogie circle, past several greenhouses and a huge statue of Don Quixote. Arriving at our customary picnic spot, we found it covered in Bud Lite bottle shards and goose droppings, afog with weed smoke and doddering ladybugs.

Last year there was Shakespeare in that meadow over there, but this year there's not. Instead a performance art lady smacks her white-leather miniskirted ass and says stuff in Latin. Her boyfriend combs her hair and translates but his voice is a whisper so no one knows what's being said and onlookers pretend to listen for longer than necessary.

A teenager gangles by. He looks like a question mark. "Ass-smacker" he says and his mouth opens hippopotamus.

I look into your eyes and say "This is nothing like it was before."

You tug at your jacket sleeve and try to figure out what this means. My hand joins yours on the sleeve and holds on.

The teenaged boy has just fallen over sideways and digs a Doc Marten heel into loose soil seeking a toehold and a way back up.

I send energy in his direction, I don't know why, I always do when someone's fallen, as though somehow my feeble brainwaves might buoy them up again. One of a dozen rituals I use to syncopate time. "That!" the social worker stapled the air "is called obsessive compulsive disorder!"

"Cool" my mom said, scraping off what was left of the silver nail polish on her thumbnail. My mom. Always supportive.

"What is obsessive compelsive disorder?" my 10-year-old self asked.

"It's nothing," she said. She shook the social worker's hand and pulled me out of the office. It was time for math class. I hated math class. The teacher yelled and I felt bad for her. I didn't understand why. The kids yelled. I didn't see their point. A bell rang and the hallway filled with elbows and backpacks, teeth, hair, knees, bubblegum and b.o. Another sign of obsessive compelsive disorder? "Let's go to the movies" my mom said and I trailed behind her, shoulder brushing twitching shoulders as locker transactions were completed, sealed with metallic slams and clicks, clatters.

I bumped my head as we ducked into the car. "That! was all I needed." I mimed mature exasperation.

My mother laughed, reached over to hold my forehead and examine the scratch. Laughter mends is what I used to think. I had to take home economics and we were learning to sew. Mending. I liked the sound. My brain traveled on. You've got obsessions it told itself, before contemplating popcorn. "It's nothing" my mom said, "nothing."

We were on the blanket, Dan and I, wrestling. It was three years ago just before Easter, just before Passover. We were both 23 years old. He was torturing me with Chicago songs. "I'm embarrassed for you," I said. "Why?" "You know all the words, every lyric." "I don't find that embarrassing." "Exactly," I said, "which is why I have to be embarrassed for you. For both of us, really. I think I have a concussion. I feel stupid. Sing something else, please." He did.

His hands were icy, my nose ran, the blanket was frayed and faded, covered in dog fur and coffee stains. We laughed a lot, had friends in common, hated the same bands. Nothing between us was simple, but it was easy until it wasn't.

They say football is a brutal sport. It will hurt your brain and confuse you. I feel the same way about badminton.

Nothing is the same. We got married last Wednesday in an old bank building, a federal reserve. Three hundred people attended. There were cherry blossoms, DJs, a wedding cake topped with the usual plastic bride and groom figurines housed inside a chocolate and caramel jail cell.

Notice she said marriage.

Who's married?

She is.

She who?

The writer.

Ah, so she must be unhappy.

Yes.

And she must have had obsessive-compelsive order.

Obsessive compulsive disorder.

I'm afraid so, yes.

And her mother? Is it true?

What?

Did her mother really wear silver nail polish?

It must be true.

Why?

She wrote it.

Ah yes. Well then, her mother was ahead of her time, wearing silver fingernail polish.

Yes must have been.

And the jail on the wedding cake what do you imagine it respresents?

Well I don't have to imagine, I know.

You do?

Of course!

It represents the jailing of the writer by the readers' expectations.

Ah-ha! No but I think you're wrong there.

Jail, prison. Ball-and-chain. Loss of freedom. Marriage as imprisonment. No no it must mean that she's unhappy in her marriage.

Well then why is the jail constructed of caramel and chocolate?

Hmm well ...

Those are delicious!

They are, but not in excess. At first marriage is sweet and then when it grows sweeter still it begins to cloy.

So she's oversated?

Exactly!

But she wrote her first play featuring married characters when she was 19.

Yes, so?

She wasn't married then.

Remarkable! You must be thinking of someone else!

I don't think so.

Nonsense! Attend the text!

Posted by Melissa Price at 04:20 PM | Comments (0)



May 04, 2010

Red

She rolled over to face the window.
Outside red tulips bloomed,
Hummingbirds whirled and hovered,
Manic, graceful, efficient.

It was morning.
And three rays of sun lined the pillow
Near her head.

A bird trilled, full-throated, strident, proud.
Song after song rang out over backyards.
Honeysuckle, bougainvillea and ivy
Ran riot.

So beautiful, the breath caught in her chest.
So beautiful, she stayed perfectly still --
Not wanting the rustle of hair on pillow
To interrupt.

Last night, it seemed, had been the end of everything.
Sirens had shrilled, heralding the apocalypse.

But in the morning it was revealed, as usual,
That everything had been greatly exaggerated.

In the kitchen coffee percolated,
Next door a radio switched on.
Hushed voices discussed important things.

Another look outside.

The tulips were defiant.
She would rise and stand at the
Window for a very long time
Before beginning the day.

On her walk to the office,
She imagined tulips everywhere.

Crowding the buses with
Insistent red.
Scattered across streets and sidewalks,
Filling escalators and office buildings.
Even springing from the computer,
Tumbling from the monitor
To blanket her desk.

This is the beginning of something,
She thought.

Posted by Melissa Price at 10:38 PM





laminae

like the woman descending the stairs
in the eadweard muybridge series,
naked, save the hat.
focused, self-conscious, mildly amused.
head forward, eyes cast,
casual, careful, moving toward whatever
is down there.

golden light, bison, couples waltzing.
taut and studious, willful and calm,
there are horses but they are not wild.
puppeteered skilfully by smartly attired
equestriennes with books under their
tongues.

in the background bison chew, twitch,
dream of galloping
as flies hover and charge.
early morning and already
everything smells of mud,
vinegar and musk.

girls on horses pop violet
pastilles and under their
breath sing childish songs.
"have you seen the lady
on the stairs?"

be still. now move. slowly,
slower still. now doubletime
and remember you don't see
me, i'm not here.

she nodded, bowed her head.
mind, she told herself,
you are good at taking direction,
incurious, pliant, brazenly
demure.

smile turned grimace
turned smile again
and quickly, quickly
she stepped out of the frame.

Posted by Melissa Price at 05:37 PM





Olde Op-ed

Rewind. Wrote and submitted but no one wanted to publish. This version absent embedded links, which were stripped by this program and will be reintroduced later.

*The Eternal Sunshine of Facebook’s FarmVille

As the United Nations Climate Change Conference progresses this week, some 20 million Facebookers will spend hours happily debating what seeds to sow in FarmVille while neglecting to spend even 10 minutes debating ways to slow global warming.

Apparently we care more about whether to plant imaginary strawberries or imaginary potatoes than we do that 300,000 people in Maldives stand to lose the very real land they live on to the effects of climate change. The island is at risk of being submerged due to rising sea levels caused by global warming.

According to a poll conducted for the National Conference of Citizenship (NCoC) in May of this year, when asked how many people expressed opinions about political, social or community issues on social networking sites, the answer was 1%. When asked how many used the Facebook causes application the answer was a scant %.

Why so little civic engagement? Why so much interest in taking quizzes to find out which celebrity we resemble or where to find a Christmas sweater for our virtual pet polar bear?

Facebook is a social networking site, primarily. However it is also becoming a site where people spend the bulk of their time online. If our FB friends aren’t talking about an issue, chances are we won’t pay attention to it or, perhaps, even know about it.

That's why it's concerning that there's so little civic engagement there. It's like reading a newspaper entirely researched, written and edited by your friends. But with actual newspapers on the decline, those who aren't already politically invested and engaged are given little incentive to care about the world outside Facebook’s virtual gates.

Sure, there are a lot of news and opinion sites for those interested in reading them -- in fact, thanks to the Web, we can access more news now than ever. It’s also true that there are currently more opportunities to become civically engaged than there were in the past, through online petition drives, and the like.

However, here we are limiting the discussion to opportunities for civic engagement on Facebook as, again, this site is where many people increasingly spend time online.

It’s challenging to bring the worlds of social, occupational and political discourse together -- yet that is what many Facebook users are doing. We are inviting our rabbi to sit down at the table for lunch with our fundamentalist Christian cousin, our gay housemates and our Sarah-Palin-loving boss. What rules do we follow? It's daunting to talk about anything more substantial than bacon on Facebook, since doing so invites nearly instant criticism from a variety of friends, colleagues, family and acquaintances.

Relaxing, right?

Thing is, we don’t need any more encouragement to become fearful silent spectators (or "lurkers" if you will) at the world-table as globally important issues play out before us.

Some would rather not risk losing face by showing face.

Should we capitulate to fears by jumping into the reassuring arms of nothing-ventured-nothing-gained propositions like FarmVille?

Facebook has 350 million users. There’s a lot of potential power in that number -- something CEO Mark Zuckerberg hints at, maybe grandiosely, when he calls Facebook "a movement, not a website." However, a chief objective of people who join social networks is simply to expand their own wealth or power, to establish and promote their individual “brands.” All fine and good, but even better would be Facebook-access to activism-related tools and quizzes for the civic-minded among us as well. Now would be a good time for nonprofits to step forward with their ideas in this regard.

After all, President Obama was elected about a year ago because we wanted "change." Change came all right, but it wasn’t quite what we were hoping for. Change has been suffered. Thing is, we still want positive change, we just don’t quite know how to make it happen.

Those of us who voted for Obama hoped things would be better by now, and in many ways they’re worse. It’s been a tough year, with unemployment rates rising and the worst recession since the Great Depression. But, rather than coming together as a people to continue the work we began when campaigning for Obama, we seem, instead, to be withdrawing into our own chilly quarters. That our social networking efforts are largely devoted to cultivating plots of imaginary earth while our own earth is neglected seems crazy. But that’s exactly what’s happening.

It’s no coincidence that zombies and vampires are popular, especially online. When people feel disempowered in this world they tend to seek superpower in worlds of their own invention. Why wouldn’t we want to enter the everything-is-possible-even-if-you’re-dead-‘cause-you’re-not-really-dead worlds of FarmVille, of zombies and vampires, even of mundane celebrities?

A visit to those worlds is okay. A visit. Because glaciers don’t stop melting when we stop looking. And just because we’re fancy animals doesn’t mean the earth we choose to neglect will choose to sustain us. Generations to come will need oxygen, water, food and shelter. Unless we spend more time talking about how to preserve these things, not much else will matter, because not much else will be around. That the consequences of global warming are almost beyond imagining doesn’t mean they won’t happen. A little escapism is how we cope; a lot of escapism is how we give up.

Melissa J. Price

*What couldn't fit in 800-ish words: a whole fucking lot.

Posted by Melissa Price at 01:10 PM



May 03, 2010

v.01

It's the hairs on the back of your neck, that's what they say, but that's not quite right. It's more like a weakness in the crook of the arm, the dull throb-tingle of an exhausted funny bone. Too many synapses sending too many jokes and how long did you say I had to keep this up? There is accommodation, there is deference, putting aside, stuffing in, covering over, but this is too much and was, weeks ago. They say it's a metallic taste, like holding a penny under your tongue, but I've never done that, have you? It's not something sane people do, anymore. Did they once? They did, he did, the talented one with vaulted cheeks and entire banks stuffed full of valuable melodies. These days pennies are artifacts and tongues wag too much or too little. Yesterday I could have died in the street. Tastebuds couldn't care less about ethics. Pennies are dirty and useless. They've lost their luster, never had much to begin with. I have some in albums, neatly categorized, stuffed into frayed cardboard circles. I like pennies, me, but then I always like things that long ago outlived their usefulness. Two questions for now: 1.) Who is stealing and when will they stop? 2.) Have you always felt this way?

Posted by Melissa Price at 08:52 PM





Stories in search of a character

Overspin your clothes and they’ll begin to unravel. Do the same to a person, even a politician, and you’ll wind up with one frayed human being. To say nothing of the electorate, a large portion of which--having been spun endlessly by George W. Bush and company—is now paying closer attention (we hope) to the machine behind the man.

But this isn’t just about spin anymore—or it is, but in different words. In fact campaigns have a (relatively) new term for what journalists and PR flaks call spin—it’s “story” or “narrative.”

Sounds enchanting, doesn’t it?

So far, as Robert Draper points out in his New York Times piece “The Making (and Remaking) of John McCain,” no fewer than seven thin story ideas have been pitched to American voters. Draper lists “The Heroic Fighter vs. The Quitters” and “Country-First Deal Maker vs. Nonpartisan Pretender,” among other attempts to spin McCain all the way to the White House. The latest seems to be “I Will Say Anything About that Guy to Get Elected” vs. “You Will Say Anything About Me to Get Elected.” What’s next? “John McCain is Cuter Than a Panda” vs. “Barack Obama, Not a Friend of Pandas”?

The senator’s advisers seem so busy obsessing about “narratives” and concocting authentic storylines that they appear to miss the protagonist entirely. There is also a strong sense that the protagonist--consigned to marginalia in his own campaign--misses himself.

I don’t know from screenwriting, but the meta-meta-narrative about McCain’s advisers’ frantic search for a story with legs has begun to take on the ludicrous air of a script meeting for a big-budget movie: Three years and 4 writers later, the search is still on for a story that will “work,” i.e., enthrall the audience.

Only of course this is no movie. The stakes are a little higher, and gone are the days of citizen as mere spectator. So why have McCain and team failed to mark the seriousness of the contest? Sure, they’re trying. But McCain’s advisers seem more intent on persuading the audience/electorate that their guy is a good guy--in fact The Guy, in Chief--than in telling us why we should believe this is actually the case.

McCain’s team seems to allow desperation to drive their narrative shifts, as they—and McCain—stubbornly try to steer clear of the big point: Americans are tired of the human and economic costs of the war and are concerned about the economy and healthcare, among other things.

As advisers play Nabokov—or maybe Stephen King—with McCain’s narrative we have to wonder: Where is McCain in all of this? Shouldn’t this be the senator’s job? Defining the story or at least stepping up and owning it? There are signs that he wanted to, maybe even tried to, but seemed, often, to instead acquiesce to his marketeers’ suggestions.

This acquiescence in itself is unsettling. As president, McCain would presumably face more challenging tasks than calling the shots in his own campaign. On the other hand, Barack Obama appears to embrace his story—including the tricky brouhaha surrounding Reverend Jeremiah Wright—head on.

McCain and team, however, have had real trouble handling inconvenient plot twists, the latest being Sarah Palin’s GOP-funded makeover. Their tactics seem variously to be: 1.) ignore said twists and attack 2.) attempt to discredit the source of said twists and attack or 3.) change the subject and attack. But a leader must do more than react. A leader must also invent and build, while keeping firmly in mind that his is a position of service to the citizens he has vowed to represent. In other words, he must engage in the actual writing of the story—not just repeat chapter titles ad nauseum.

In the end, it is Senator McCain’s failure to take control of his story--his failure, as protagonist, to take decisive action--that signals real trouble. A leader must both own up to his own ambivalences and contradictions and still manage--in the face of these—to take decisive action and accept the consequences of said action. Something Obama realized early on was this: Whatever you believe in and stand for you must represent, fully and consistently. If that’s winning the war, which it seems to be for McCain, then so be it.

Here’s the tricky part: Even if you do have a strong narrative and a solid character you may still have trouble making it through more than a few chapters of the book. With his emphasis on war and patriotism, apparently to the exclusion of all else, McCain’s story comes to seem more like a one-note PR campaign than anything resembling a story. If it is a story--or even a book--it's one we’ve been reading for too long (subject: the Iraq war). We acknowledge that it’s on the shelf and have been diligently studying away. We care about the troops and the Iraqis. But we care about other things too. And there are other books on the shelf: about the economy, health care, education, the environment—Life in America, an anthology.

If there exists, in this country, a single narrative, it is a complex and contradictory one constituted of many characters and voices. We’ll need a protagonist we can trust to guide us through this complexity.

As the election draws to a close, it seems to have dawned on his advisers that McCain Unbound (that is, McCain before his punchdrunk auteurs got their hands on him) was probably the most compelling version of the candidate’s story. And so, as in many traditionally structured narratives, the story has come full circle, back to the man himself: McCain as Fighter (Again).

At this point, however, the candidate seems to have become trapped in a machine of his own devising--whirling around powerlessly, unable to stop, unable to stand.

How will this story end? We’ll soon discover if American voters care as much about narratives as McCain’s team seems to. Or if it’s just the same old spin to them.

Posted by Melissa Price at 11:36 AM





Here it comes.

Z: It's good, I'll give him that. But what do you think of the placement? Does it strike you as unsettlingly asymmetrical?

A: I don't know, man. It is where it is.

Z: What about the hue?

A: It's got several hues. They change a lot.

Z: Yeah, but right now it's kind of indistinct, you know? I want more definiteness, more drama. I want to know where he's coming from.

A: Who?

Z: Yeah, he definitely has to commit more. All those fuzzy, wussy shades of yellow and orange. Almost orange. What shade would you call that?

A: Yeah well, it is kind of hazy.

Z: And the background--I hate to say it, but it's been done. Right? Am I right? I mean, I can appreciate the effort, but ...

A: Yeah. It is a classic color scheme by now: orange and blue. But I'd say he was one of the first to implement it.

Z: I don't know, I'm not feeling it dude.

A: Yeah well, in any case, you shouldn't stare at it like that.

Z: Why?

A: Bad for the eyes.

Z: Really? That's rad! I can get behind that. You can't spell true art without d-a-n-g-e-r.

A: Whatever. Like I said, if I were you I'd stop staring.

Z: Is it really bad for the eyes? Or is that just an urban myth the guy started because he couldn't stand the scrutiny? I mean, seriously dude, look at that and tell me it couldn't use more definition ... more precision. It's just looking all cloudy to me.

A: Yeah well, it is hazy, dude.

Z: I know! Right?

A: It's so vague I could swear I'd seen it somewhere before. What's this guy's background?

Z: No one seems to know.

A: Of course.

Z: Seriously man, put your sunglasses back on. That shit will blind you.

A: Okay. Yeah, my neck is kind of hurting too. Why does he feel the need to hang that shit so high? Who does he think he is anyway?

Z: Well, you won't be able to see it much longer anyway. The fog's rolling in.

A: Okay, yeah.

Z: Burrito?

A: I'm about it dude, I'm about it.

Posted by Melissa Price at 11:28 AM





Tired of caree-ah-ists making a big deal out of deciding to not answer a simple question, the agenda of which was to hear the answer. So they were mistaken for friendly and honest, so what? Anyway, not your department.

Another question arises: Why are so many of us afraid of face-to-face conversation? Say what's on your mind.

*Yes, yes, can't you see? I invest all my time complimenting people and agreeing with whatever they say. That's the way to be complimented and flattered back. Has it occurred to you that this shallow economical exchange means nothing to me. When I compliment or get excited it's REAL, same with disagreement.

Posted by Melissa Price at 11:06 AM



May 02, 2010

(old) Bush escapes injury in Iraqi shoe strike

As by now you know, President George W. Bush narrowly avoided injury yesterday in a dangerous footwear attack.

The attack was mounted by an Iraqi journalist during a news conference in Baghdad. Muntader al-Zaidi shouted “This is a gift from the Iraqis; this is the farewell kiss, you dog!” and launched two shoes at the American president.

What’s remarkable about this incident is not the attack or the attacker, but Bush’s reaction to the foot-missiles.

As the first shoe hurtled toward him, the President refused to cower behind the podium. In fact, he was almost casual in the way he ducked the initial strike and remained standing to face down the second. So calm was the President, in fact, that it seemed almost as though he’d forgotten where he was. Then again, maybe he thought shoe-throwing was just how Iraqis welcomed visiting dignitaries. Or maybe he’s used to people throwing shoes at him. (Rumor has it that Cheney wields a mean orthotic. But we’re guessing Laura Bush has the maddest shoe-grenading skills in the House.)

In any case, it was remarkable that Bush was able to size up the threat so quickly—size 10. What if the airborne object hadn’t been a shoe? Or what if it had been weaponized? These possibilities, if they occurred to Bush—which, one assumes, they must have—did nothing to faze the President. Steady as a statue, the look on his face was sheer “Bring it on.” So composed, in fact, was our commander-in-chief that he almost seemed to be expecting the attack. Again, and as we hinted earlier, we are pretty sure Bush’s impressive performance has little to do with what President and Mrs. Bush practice in the privacy of their bedroom--though it probably didn’t hurt.

Sure, we’d have expected such fearlessness if the weapon of distraction had been more on the order of, say, a giant pretzel or hapless policeman. The President has, after all, vanquished similar foes in the past.

But shoes appear to be a new and formidable adversary. Size 10s, in particular, whether wingtips or topsiders, are not to be messed with. The attack easily could have resulted in a nasty bruise about the eye or a small cut in the nose area.

One wonders where in Sodom and Gamorrah Bush’s security detail was when the violence erupted.

How was it that al-Zaidi managed to de-shod fully before being wrestled to the ground?

Not that the absence of protection bothered Bush. As he caught the attacker in his sites, the President’s gunmetal eyes narrowed. His magnificent nostrils roared to attention. And afterwards, the breezy fearlessness! The courageous quips!

“So what if the guy threw a shoe at me,” the President remarked. “It is one way to gain attention. It’s like going to a political rally and having people yell at you. It’s like driving down the street and have people not gesturing with all five fingers.” (We are awaiting clarification of the President’s remark about “people not gesturing with all five fingers.” It is, perhaps, a reference to something the troops call a “freedom salute.” Another possibility we’re hearing about—from the President’s own team—is that, prior to the news conference, an Iraqi civilian waved supportively to the President, even though she’d had four of her fingers blown off.)

Bush continued. “It’s a way for people to draw attention. I don’t know what the guy’s cause is. But one thing is for certain, he caused you to ask me a question about it.” Good point. While the President was unshaken by the assault, the reporter he refers to was terrorized into asking a question about something that had happened.

Bush reiterated “I didn’t feel the least bit threatened by it.” Huzzah! A not-five-fingered salute to you, Mr. President!

Posted by Melissa Price at 12:20 PM





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